Modern Batman Quilt from Simply Pieced

As a momma of two boys (who are obsessed with super heroes) I absolutely LOVE this quilt.  Really, seriously.  I may be making one of these very soon.  I'm not just saying that.  Anyway, I love this quilt!!  Made by Janet of Simply Pieced I was so excited to see it linked up to Fabric Tuesday two weeks ago.  Like so many of you she does a great job documenting her quilt finishes, from 2011, 2012 and 2013.  I wish I had mine documented so well!  Make sure to stop by Simply Pieced after checking out her feature!

I hate to play favorites, but this next quilt is probably my favorite quilt that I've made so far.  Don't get me wrong, I love the other quilts.  I don't usually make something that I don't like, but this one took a piece of my heart with it when I gave it to the mom-to-be at her baby shower.  I should have asked for visitation rights, or to quilt-sit when they go out of town...I'm being ridiculous...sort of.

When I found out the mom was pregnant and having a little boy, I contacted the dad through a mutual friend on what they were doing in the nursery.  You see, the dad does all the decorating...ALL the decorating.  He's a very talented graphic designer that has an eye for fashion and color, but he's also a big kid at heart.  When it came to this baby boy's nursery, the dad knew exactly what he wanted to do and was very specific when it came to colors (robin's egg blue, stop sign red and charcoal grey) and theme (classic Batman).  I received these two attachments:



The first is one of the prints used in the room and the second is a diagram of the different batman symbols used since the character's creation.  The dad ended up using this diagram to create an art piece above the crib, which looks awesome.  The diagram was also my inspiration for the quilt.  When I think of Batman, one of the first things that comes to mind is the bat signal.  I liked the cityscape at the bottom of the diagram and wanted to use that design somehow in the quilt.  I ended up drawing up a sketch on graph paper of a simple cityscape with the bat signal in the air.  The idea of recreating the drawing as a quilt was a bit daunting, but I was determined.  

When it came to piecing the front, I decided to machine-piece the buildings separately and then applique them onto the background fabric by hand.  Before the buildings could be attached, I had to put the spotlight and bat signal in the sky.  I ended up picking the bat-signal I associated with Batman as the call-sign.  This took a lot of trial and error to get everything exactly where I wanted it.  Once the bat signal and the buildings were in place, I put windows on the buildings to help bring the buildings to life.  Mixing the red and blue for the windows helps bring in the nursery colors on top of the charcoal grey.  I machine-quilted the quilt with horizontal lines.  I knew I needed to keep the lines fairly close together to help secure the large appliqued pieces of fabric.  I hand appliqued the initial onto the back of the quilt as a finishing touch.

This quilt was so much fun to design and make.  I sincerely hope the baby boy will love his quilt as much as I do.

Sampler Chain Quilt Finish and Fab Tues!

I did it!!  My Block of the Month quilt is entirely finished.  And it makes me really really happy :)  It all started with this lovely stack of Backyard Baby fabrics:

And here it is, quilted, bound and ready to be snuggled with.

Our series was for a year, a block each month with a theme right?  Ie star, hst, pinwheel, etc..  I decided that I wanted to make my quilt a twin, so in the end I doubled the amount of squares and did 12 nine patches to make it a Chain Sampler quilt.  Each square is 15" finished.  It is 68" x 90". 

 

My aunt did the quilting, this was too big for me and not even the time to consider it on my limited machine!  She did wavy lines to show the chains better, stippling throughout the blocks and then each sampler block she did some great custom quilting.  On all of the blocks with trees she'd follow the shape of the tree.  I love how she did it!

I backed it with gray minky and the orange print seemed perfect for the binding.  I actually almost wish I'd used orange in each block, or used it more.

There you have it!  Soon one of my boys will have this on their new extra big boy beds.  Now I'm going to lay under it and watch New Girl. I'm done for the night :)

Heather will be sharing her Block of the Month quilt finish tomorrow so check back!!

Fabric Tuesday!

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Yellow and Gray Quilt from My Lift in Binding

Today's feature is a gorgeous quilt from Catherine of My Life in Binding.  You must read her About Me...it made me giggle!!  Catherine is a busy PhD student, I wonder where she finds the time to make such beautiful quilts!!  After reading about her great quilt and feature stop by and say hi, she's new to blogging and quilting so let's make some new friends!!

When my best friend told me her wedding colors were going to be yellow and gray, I had my doubts (and fears—I was petrified I’d have to wear a yellow bridesmaid dress—not a good look for me) about the color scheme. Nevertheless, that’s what M—who is an interior designer by trade, with impeccable and modern taste—wanted. I had only been quilting for a couple of months when I decided I should make her a wedding quilt, so I didn’t have much of a stash to speak of. I spent several months checking out local fabric shops wherever I went, purchasing yellow and gray fabric that looked “M” to me.*

Choosing the pattern was much easier. Before I started quilting for real, I read Diary of a Quilter (like, the entire thing—it was a little crazy, admittedly) and at some point ran across Amy’s “Chain Linked” pattern. You know how you just know when you find something that is perfect for someone? This was perfect for M, so once that was decided, I just had to procure enough interesting scraps in the color scheme for the middle of the blocks.

M’s wedding was at the end of July, and I didn’t get the quilt done by then (ooooooh boy, not even close!) I did manage to make her a large pillow out of scraps from her quilt that I presented to her at her shower (she didn’t know she was getting a quilt, but I think she had her suspicions!)

So I plugged steadily along with the quilt through the fall. I live halfway across the country from M and really wanted to present it in person, which meant that Christmas break was my new deadline. This was the largest quilt I had made, and that presented unique challenges in basting space and quilting.  I ended up basting the quilt in the basement of the building where I work. I wasn’t confident enough to try FMQ, so I chose to trace the white areas of the quilt, which meant a TON of turning! I think it was a pretty good choice for the quilting though. I originally intended to trace inside the gray too, but time and laziness prevented that.

The backing was part of an IKEA duvet cover, with the addition of a row of blocks to make it long enough. The binding was a happy accident—the yellow I was originally saving for the binding just didn’t look right at the end, and I headed to my LQS to try to find something else. I found nothing. Dejected, I was about to settle for a dark gray solid when I spotted some light and dark gray striped fabric. Perfection!

 M and her new husband loved the quilt (even if it was five months late) and I am extremely proud of it! There’s nothing quite like making something that you just know is perfect for its recipient, and it is my favorite quilt I’ve made so far!

Pattern: Chain Linked by Amy Smart

Finished size: 61” x 82”

Fabric: Kona Charcoal and Kona White, with assorted others

  

*Don’t worry, I got to wear a dark gray dress instead. Phew."

Penny and Fletcher Pictorial Quilt from Penny Dos Patchwork

Amazing quilt today from Kerry of Penny Dos Patchwork.  I am sooo intrigued by pictorial quilts, it's hard for me to wrap my brain around!  Kerry dabbles in lots of creative ventures, editing magazines, designing boots, making chocolates and now patchwork!  To get the full story see here to see the start of the freezer paper template.  See here for the dogs complete in applique and see here for the finished top.  Kerry sent this quilt to a competition show and you can see here for the judges results!!  Thanks for sharing Kerry!!

It’s finally done, the binding is on, the sleeve has been sewn onto the back, the paint has been set, my label is attached and it’s in the post…

I’ve pretty much dedicated my weekend to this quilt. Aside from housework, a jaunt to Morrisons, a nap, reading Giant George’s book, watching Snakes on a Plane again and cooking roast beef, this is what I’ve been doing.

Saturday saw me finish the quilting after finally getting to grips with the free motion pre-flight checks I had to run on the machine, then Sunday morning was the painting and doubt stage (thank you to everyone who gave me feedback on the painting!), by lunch time I had set the paint and by tea I had sewn on the binding, made the sleeve (using this tutorial) and sewn that on too. By bedtime the label was tacked to the back and the threads had been tidied up and lint rollered to remove real dog hairs. It’s being posted today!

I would probably make another one. I say that- I actually quite liked the process and WANT to make another one, I’m not yet sure of the subject matter though. I’m planning on selling the pattern from the next one I do so it will take a bit of thought. Maybe a puffin from my photos last week? Or the vintage HMV dog (if I don’t sell the pattern), or maybe even a landscape. I’m really not sure yet but if you have any ideas of something other people might want to make too, you know where the comments box is!

One month today and I will be seeing it on display at the Festival of Quilts! Are you going?

“Penny & Fletcher” Technical details:
Finished size 48.5″ x 30″
Technique: Machine Turned Edge Applique
Fabrics used: Mostly scraps from my box- I didn’t keep track of them all, but there is some Pezzy Print by American Jane, a scrap of my own fabric, some Meadow Friends by Deb Strain and a couple of grey fabrics from Ruby by Bonnie and Camille.
Paint: Pebeo Setacolor in transparent black (with lightener), transparent tan and transparent dark sienna.
Piecing: Madeira Monofilament
Quilting: Machine quilted in thread painting style on dogs, bubbles on noses, squiggles (and name) on white and straight line on blue. Gutermann thread, mostly 414 but some dark grey, tan, dark brown, black and a varigated Aurifil at one point.
Backing: Peach Klona cotton
Binding: White Klona cotton